"It does not have a big "showdown" moment, like Moore's encounter with Charlton Heston, although the director shouts out questions to the president he derisively calls Governor Bush and is rewarded by him with a snarling suggestion that he should get a real job, which takes some effrontery coming from the slacker fratboy head of state who makes Ronald Reagan's workload look Stakhanovite."
From a Peter Bradshaw review in the Guardian
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